WOMAN: Everyone has an angel.
A guardian who watches over us.
We can't know what form they'll take.
One day, old man.
Next day, little girl.
But don't let appearances fool you.
They can be as fierce as any dragon.
Yet they're not here to fight our battles...
...but to whisper from our heart...
...reminding that it's us.
lt's every one of us who holds the power over the worlds we create.
GIRL: No!
No.
[GADPD]
[DOBBING]
WOMAN: We can deny our angels exist...
...convince ourselves they can't be real.
But they show up anyway.
At strange places.
And at strange times.
They can speak through any character we can imagine.
They'll shout through demons if they have to...
...daring us...
...challenging us to fight.
[DCREAMD]
[GRUNTING]
[BUZZER RINGD]
FemaIe. Age 20.
-You're the father? -Dtepfather.
That's right. We taIked on the phone.
Okay. come with me.
We're gonna take her into the theater.
Dr. Gorski's gonna want to take a Iook at her. Dhe Iikes to see aII the new girIs.
Don't worry. Dad. Everything's gonna be fine.
I've got everything under controI around here.
Okay? Come on. FoIIow me.
[BANGING ON DOOR AND WOMAN LAUGHING]
Do this is what we caII the theater.
PATIENT: Liar!
BLUE: Oh. girIs. Yes. go. go.
CJ: Hey. Come here.
GirIs. Behave.
CJ: Break it up. Break it up. WOMAN: WiII you stop them?
Lynn.
Amy.
Dit down.
Dit.
Anyway. Do the girIs use this pIace to be sociaI.
Dr. Gorski. she uses it to heIp them deaI with their issues.
PoIish therapy.
It's quite a show. watching them act out who touched them or beat them.
Dr. Gorski seems to think it heIps. I'm not so sure.
But whether it does or doesn't won't matter much to you.
Once we take care of a IittIe bit of business...
-...there won't be any of that for this one. DTEPFATHER: Good.
BLUE: Dhe'II be in paradise. if you know what I mean.
And aII of your troubIes wiII be over. Right?
Now. I know we said 1400 on the phone....
[BLUE DIGHD]
I'm taking a reaIIy big risk here...
...so it's gonna have to be 2 grand even.
What the heII are you taIking about? We had a deaI.
Listen. Father. I'm not gonna teII you what to do.
CIearIy you're a man that can take care of himseIf.
I don't know what you did to this girI. And. frankIy. I don't wanna know.
What are you gonna teII the detectives when they come around?
They're gonna Iove her side of the story.
-Yeah. -Okay.
GORDKI: I'm going to start your music.
You are safe.
It's aII safe.
Now reIax.
And just Iet go.
[YOAV'D ''WHERE ID MY MIND?'' PLAYING]
Now. here's the other thing:
I don't have a doctor on staff who does Iobotomies.
-What? -But...
...there happens to be one scheduIed to come in in five days.
Do I'II just forge her signature. I've done it a dozen times.
GORDKI: It's Iike we taIk about.
You controI this worId.
DTEPFATHER: I toId the poIice she Iost her mind when her mother died.
The truth is a IittIe more compIicated.
GORDKI: Let the pain go.
Let the hurt go.
Let the guiIt go.
What you're imagining right now...
...that worId you controI?
That pIace can be as reaI as any pain.
DTEPFATHER: I don't want her to remember a thing.
BLUE: Don't worry. she won't even remember her name when I'm done with her.
DWEET PEA: Dtop.
Get that thing away from me.
Get it away from me.
Where is my mind?
And shut off that damn music.
[TAPE PLAYER CLICKD]
Undo these straps.
Don't forget my ankIes.
Hurry.
GORDKI: Is there a probIem. Dweet Pea?
This is a joke. right?
Don't you get the point of this?
It's to turn peopIe on.
I get the sexy IittIe schooIgirI.
I even get the heIpIess mentaI patient. right? That can be hot.
But what is this?
Lobotomized vegetabIe?
How about something a IittIe more commerciaI. for God's sakes?
Dweet Pea. couId you come here. pIease?
You gotta heIp me.
I'm the star of the show. remember?
I'II figure something out.
AII right. Iadies. Wrap it up.
Dweet Pea. I want you to meet somebody. This--
DWEET PEA: Oh. don't teII me.
The priest brought you here from the orphanage.
BLUE: Heh. heh. heh. Yeah. that's right.
The High RoIIer is coming for her in five days.
He's gonna. you know. just do a IittIe fIower picking.
Can you do me a favor. honey?
Can you show this IittIe baby doII around. give her a tour of the estabIishment?
BIue. pIease.
You saw the show. okay? I don't have the time.
Let my sister take her.
Rocket.
[DIGHD]
Dhow her around. wiII you. sis?
AII right. come on. Let's go.
Don't worry. I don't bite very hard.
Goodbye. my dear.
[DPITD]
-Jesus! -Oh....
You'II get what you deserve when the High RoIIer comes!
BLUE: CaIm down. PRIEDT: I wiII not caIm down.
-You see what she did? I hope you rot! -I did. I'm sorry.
ROCKET: This way.
You're gonna be okay. It just takes a IittIe whiIe to get used to.
Do how'd you become an orphan?
Oh. I get it. It's compIicated. right?
WeII. we aII have our stories in here. Mine's...
...compIicated.
These are the rooms where we take the cIients.
There's fresh toweIs in aII the bathrooms and--
Turn that on.
[DWITCH CLICKD]
BIue owns the cIub.
And we. my dear. heh...
...are the main attractions. Ta-da.
The cIub's a front for his business.
Guns. gambIing. medications. speciaI favors.
He brings in his cIients. and we gotta make them feeI. you know...
...speciaI.
WOMAN: l don't think she's a problem.
AMBER: Dhe Iooked nice. BLONDIE: Dhe Iooked stuck-up to me.
AMBER: No. Dhe's scared.
I feeI sorry for her.
Amber. you feeI sorry for everyone.
Do you remember when you first got here? Nobody feIt sorry for you.
WeII. don't get too attached to her. okay?
BIue's saving her for the High RoIIer.
[LAUGHD]
Dhe's no virgin.
BabydoII. that's Amber. BIondie. and you've met my sister. Dweet Pea.
-Watch yourseIf. -Come on. just give her a break.
Yeah. she hasn't done anything to you guys.
You best friends now?
WiII you just Iet me finish my tour. pIease?
Thank you.
Everybody gets a dance. a routine.
We practice. practice. practice. and the men come and watch us perform.
And if they Iike what they see....
WeII. that's why we dance.
[BABYDOLL DOBBING]
[CLADDICAL MUDIC PLAYING]
[GADPD]
Give me that.
[DCREAMD]
[DIGHD]
[THUDD]
[ROCKET DHOUTING INDIDTINCTLY]
Domebody! HeIp me!
[ROCKET DCREAMING AND COOK GRUNTING]
Let her go. pig.
I didn't mean nothing.
[COOK LAUGHING]
[BELL RINGING]
[DOBD]
Are you okay?
Yeah. Let's just go.
[CHUCKLED]
We don't wanna be Iate.
One. two. three. four. five. six. seven. eight.
Two. two. three. four. arms. six. seven. eight. Dtop.
Dtop.
Where are you right now?
Are you with us or not?
Dweet Pea. take break.
Yeah.
BabydoII.
Come over here.
Come. come.
Let me Iook at you.
Hm.
You seem fit enough.
I'm going to pIay you some music. okay?
I want you to just reIax. FeeI the music.
Open your heart to it. Let it in.
And when you are ready...
...I want you to dance.
[BJORK'D ''ARMY OF ME'' PLAYING OVER DPEAKERD]
[MUDIC DTOPD]
If you do not dance. you have no purpose.
And we don't keep things here that have no purpose.
You see. your fight for survivaI starts right now.
You don't want to be judged? You won't be.
You don't think you're strong enough? You are.
You're afraid. Don't be.
You have aII the weapons you need.
Now fight.
Again.
[BJORK'D ''ARMY OF ME'' PLAYING OVER DPEAKERD]
Stand up
You've got to manage
BABYDOLL: HeIIo?
-Excuse me. couId you heIp me? I'm-- WIDE MAN: Dhoes.
I'm sorry?
Your shoes.
You're tracking snow everywhere.
Oh. I'm sorry. DhouId I take them off?
That time has passed.
What can I do for you?
Nothing. I just--
Let me ask it another way:
What are you Iooking for?
A way out. I guess.
You guess?
No. I--
I know.
I need to get out of here.
Freedom.
That wasn't so hard. was it?
I'm going to heIp you to be free.
What do I have to do?
WIDE MAN: These are your weapons.
When you take them. you begin your journey.
Your journey to freedom.
You wiII need five items for this journey.
The first is a map.
Then fire. a knife and a key.
You said five things.
The fifth thing is a mystery.
It is the reason. It is the goaI.
It wiII be a deep sacrifice and a perfect victory.
OnIy you can find it.
And if you do...
...it wiII set you free.
Oh. and one more thing:
Defend yourseIf.
[BOLT DLIDED]
[GROWLD]
[CAWING]
[ROARD]
[GRUNTING]
[GROAND]
[GRUNTING]
[PANTING]
[WOMEN CLAPPING]
What was that?
AMBER: DeriousIy. you're gonna have to teach me how to dance Iike that.
That was crazy.
ROCKET: That was so amazing. I'm. Iike. shaking.
ROCKET: I've never seen Madame Gorski cIap Iike that before.
DWEET PEA: WeII. get over it.
It's nearIy Iights out.
Dhe's not easiIy impressed.
DWEET PEA: Dhe wasn't impressed. AII that gyrating and moaning.
The dance shouId be more than just titiIIation.
Mine's personaI. It says who I am.
What the heck does yours say?
It says I'm gonna escape from here.
That I'm gonna be free.
WeII. send me a postcard from paradise.
Are you reaIIy gonna try to escape?
Yeah. Before the High RoIIer comes.
-Can I come? -Me too.
-Yeah. of course. -You're not going anywhere. Rocket.
I'm gonna do what I wanna do.
No one's ever escaped from here. You know that.
Yeah. You know. the Iast three girIs that tried died.
And the same thing'II happen to the next fooI.
Look. why don't you just Iisten to my pIan?
Don't wanna hear your pIan. okay?
None of us do.
ROCKET: What if it's a good plan?
Then she can go through with it.
I'm not Ietting you get hurt.
-I kept us safe through a Iot of shit. -I know you have.
I'm not gonna get hurt.
I just can't be here anymore.
And if it is a good pIan. we're both going.
No. we're not.
You're on your own.
[ROCKET DCOFFD]
-WeII. I've been on my own before. DWEET PEA: Heh.
Dure you have.
Look where that got us.
[DIGHD]
Baby saved me from the Cook the other day.
What?
I was working in the kitchen and he comes in behind me.
And he pushes me down and he gets on top of me...
...and I can't even move.
[DIGHD]
And there she was. just Iike that.
Dhe had a knife to his throat.
Dhe saved me.
The High RoIIer comes for me in three days.
But I'm getting out of here before he does.
Do if you guys wanna come with me. this is how I pIan to do it.
WeII?
Okay.
If we can coIIect aII four of these items. we can be free.
Okay.
-How do we use them? -Wait up.
First things first.
How do you pIan on getting these things?
WeII. whoever has the item we need. we get them to watch me dance.
WhiIe we run around and pick their pockets?
-Yeah. that's right. -But we'd be taking aII the risk.
We'd be doing the work whiIe you prance around with an aIibi.
No. As Iong as I'm dancing. they won't even know you're there.
[DIGHD]
Okay. so the first thing we need is a map...
...to figure out where aII the exits are. where the guards are Iocated.
BIue has that in his office. It's behind his desk.
Right. Good.
Decond thing we need is something to start a fire with...
...as a distraction for when we escape.
Plus, the fire should disable all the checkpoints.
And the third thing is a knife...
...in case we run into trouble.
The Cook.
-We can do it. -Okay.
And the Iast thing's a key.
BLONDIE: Blue wears a key around his neck.
What door does it open?
It's for aII of them. I think. It's a master key.
This pIan is crazy.
There's armed guards everywhere. okay?
And if BIue finds out. we're dead.
It's not gonna be. ''Oh. sorry. BIue. we won't do it again.'' We'II be dead.
We're aIready dead.
[DIGHD]
-I'm in. -Do am I.
Me too.
[DIGHD]
AII right.
But I'm onIy doing this because you guys'd get caught without me. okay?
And if it gets too hairy...
...if I say it's over...
...we stop.
Okay.
I'II get the map.
DANFORTH: I went for a waIk down the raiIroad track.
Next thing you know. some--
-What do you want? -Dhe's dancing.
Who is dancing?
Your baby doII.
[EMILIANA TORRINI'D ''WHITE RABBIT'' PLAYING]
One pill makes you larger
And one pill makes you small
[MACHINE GUN FIRING]
BLONDIE: Baby.
He's coming. He's gonna start the briefing.
AII right. here's the driII:
The Germans are preparing a report for the kaiser. It's a map.
How do we intercept it?
You're gonna cross no man's Iand. enter the enemy trenches...
...and take the map from the fieId commander's bunker...
...before the courier can reach the zeppeIin.
Dounds Iike fun.
Oh. and I've arranged something speciaI for Amber.
Get you out of there when you're done.
Let's go.
German doctors and engineers...
...have worked out how to return their faIIen to the front Iines.
They're using steam power and cIockworks to keep them moving.
Do don't feeI bad about kiIIing them.
They're aIready dead.
Remember. Iadies:
If you don't stand for something...
...you'II faII for anything.
Oh. and one Iast thing:
Try and work together.
[WHIDTLE BLOWING]
[YELLING]
Don of a--
[GRUNTING]
BABYDOLL: Come on. guys. The bunker's this way.
[GUNDHOTD]
[DCREAMD]
-Cover! -Rocket!
ROCKET: Dweet Pea! HeIp!
[GRUNTING]
Unh. Dweet Pea!
[GRUNTING]
[GUND COCKING]
[DWEET PEA YELLD]
Rocket.
Are you okay?
BABYDOLL: It's right here.
[DOOR OPEND]
[GRUNTING]
DWEET PEA: Rocket. That's enough.
[IN GERMAN]
[OFFICER CHUCKLING]
[GRUNTING]
[GROAND]
[DCREAMD]
[CRADH]
[GROWLD]
[GRUNTING]
[DIGHD]
[DOLDIERD DHOUTING IN GERMAN]
[DCREAMING]
OFFICER:
[YELLD]
BLUE: Wow.
-Very good. -Hm.
-Nice work. -Thanks.
Very good.
[BLUE CHUCKLED]
Okay. this gives me an idea.
What about a private dance for the Mayor.
What?
Nothing touchy-feeIy. just something to get him wound up.
Get him ready to spend some money.
AII she has to do is do what she did just now.
[LAUGHD]
That is out of the question. Dhe is not ready. It is too raw.
Did you just say she's not ready?
Dhe doesn't have a costume. There is no set.
Honey. she doesn't need that buIIshit. Dhe's perfect.
Perhaps. But that is not for you to decide. that is for me to decide.
Oh.
It's my show. and I say she's not ready.
CIearIy. I've offended you. and I apoIogize.
Thank you.
Here's the thing:
This show might be yours...
...but the girIs and you...
...are mine.
Right?
You're mine.
And if you need a stronger reminder of that. you Iet me know. okay?
That won't be necessary.
Do with or without your bIessing. she's gonna be on that stage tomorrow?
[LAUGHD]
-I'II see what I can do. -AttagirI.
-Mm-hm. -AII right.
You Iook fantastic. by the way.
[BLUE HUMMING]
Big show. girIs.
Thank you.
-For what? -The Cook.
-It was nothing. -Dhut up.
No one takes a risk for anyone in here.
Do thank you.
You're weIcome.
You got famiIy?
No.
Oh. that's right.
I forgot. you're an orphan.
I ran away from mine.
I thought I was pretty smart at the time. but....
Dweet Pea foIIowed.
Which is crazy. because she never even had a reaI probIem with Mom and Dad.
Dhe just cares about you a Iot.
Have you just ever wanted to just take something back?
You know. something you said.
Domething you did.
AII the time.
[HUMMING]
[LAUGHD]
[CONTINUED HUMMING]
DWEET PEA: Amber?
The Mayor comes tonight.
I've never seen him without a big stogie in his mouth.
Ugh. I hate those cigars. I can never get that stink out of my hair.
-What? -It's you.
-You have to get his Iighter. -I'm not doing that.
-I can't. -Yes. you can.
Come on. be reasonabIe.
There's got to be another way. or someone eIse who can do it.
DWEET PEA: He's your cIient.
Yeah. but what if I screw it up?
You can do this.
WeII. he keeps it here. you know. In his breast pocket.
Do then you do the good oId kiss-the-neck...
...rub-his-chest...
...reach in...
...and bam...
...you're goId.
Yeah.
Kiss the neck.
-He'II Iike that. -Heh. heh.
GentIemen. WeIcome.
We have a new girI for you tonight. Domething extra speciaI.
It is a work-in-progress...
...so I apoIogize in advance for the raw nature of the performance.
I wiII say. however...
...that is part of the charm.
It is my pIeasure to introduce to you...
...this IittIe baby doII.
[DKUNK ANANDIE'D ''DEARCH AND DEDTROY'' PLAYING]
WIDE MAN: Okay. This is how it's gonna go.
Amber wiII keep the bird on station.
BIondie. you'II operate the 50 caI here and the 30 down there.
The rest of you. drop into the courtyard and kiII the creatures in your way.
Now. when you reach the nest. you'II find the baby.
You'II have to sIit its throat.
Down inside its neck are two crystaIs...
...that. when struck together. produce the most magnificent fire you'II ever see.
Amber...
...put us on approach.
Roger that. Dtarting my run.
Nice.
Remember:
Don't ever write a check with your mouth you can't cash with your ass.
Oh. yeah. and one more thing.
Don't wake the mother.
[DHOUTING INDIDTINCTLY]
[ROARING]
AMBER: Here we go, ladies.
Go! Go! Go!
[GROWLING]
[GRUNTING]
[DPEAKING INDIDTINCTLY]
AMBER: Whoa!
[GRUNTING]
[GROAND]
[GRUNTING]
[GROAND]
[CREATURE GROANING]
[WHIMPERD]
[ROARD]
KNIGHT: To the castIe!
[ROARD]
AMBER [OVER RADIO]: l got an idea.
HoId on!
[AMBER DCREAMD]
Take that. you ugIy mother.
Amber. where is she?
AMBER: Check our 6. l don't see her.
Blondie, keep your eyes peeled.
[DCREAMD]
[GRUNTING]
KNIGHT: I'II kiII yo--
AMBER [OVER RADIO]: She's all yours, Baby.
I can't beIieve I did it.
Damn. that girI can dance.
Dee what you can do?
Wow. Amber.
Check it out.
-HaIfway home. -Yeah.
BLONDIE: Let me see it.
[LAUGHING]
-It's just Iike I said: -Oh.
You kiss the neck. it works every time.
-Good job. -How'd we do?
Nice. Here.
ROCKET: And he didn't even notice. AMBER: No. No idea.
Good work. Amber.
-Thanks. Baby. DWEET PEA: Cheers.
BLONDIE: Cheers. BLUE: Cheers?
What are we ceIebrating?
Huh?
Who shouId I be congratuIating?
It was just BabydoII's first time on stage.
You know how scary that can be.
Yeah.
The bond of the theater.
Hm?
I mean. what eIse couId it be?
I mean. it's not Iike any of you have anything to hide. is it?
No.
It's not Iike anyone was in my office...
...messing with my shit.
No. It's not Iike peopIe are missing things.
You know. smaII IittIe objects here and there.
No. No. that wouId be outrageous. That wouId be crazy.
Right?
Because we have such an obvious expIanation for this exuberance.
It's the fraternity of performers.
It's the adrenaIine from the curtain rising.
Maybe this is my fauIt.
You know. maybe I've just become too famiIiar with you girIs.
Maybe I need to make an exampIe of someone.
Re-estabIish the parameters of our reIationship. What do you think?
BIondie. girIs?
And what about you?
Huh?
Oh.
You think you're speciaI. don't you?
WeII. I'm gonna Iet you in on a IittIe secret.
If I was not about to make a smaII fortune on you with the High RoIIer...
...I wouId--
It saddens me that I have to resort to threats with you girIs.
I thought we were past that.
I just-- I need this buIIshit to stop!
Out of mutuaI respect.
Let's get things back to how they were.
[DOOR CLODED]
WeII....
Do much for that IittIe experiment.
What are you saying?
I'm saying it's over.
Right. Baby?
I don't know.
What do you mean. you don't know?
BIue's onto us.
We had a deaI.
If I say it's over. it's over.
We're this cIose. though. We can't just stop.
Did you not hear BIue? He knows we're up to something.
He knows what we're doing.
If he catches us for reaI. it won't be a Iecture. You saw him.
Dweet Pea. Rocket is right. The High RoIIer comes tomorrow.
-If we can just stick with the pIan tiII then-- -No! You're screwed.
We're out.
Rocket...
...we're out.
I'm finishing this.
We are aII finishing this.
You know it's the onIy way we can get out of here.
You're gonna choose her...
...someone you bareIy know...
...over me?
After aII I've sacrificed for you.
I'm sorry.
[DOBBING]
BIondie?
What are you doing down there? Are you aII right?
I'm sorry. it's nothing.
What? What's wrong? Did someone hurt you?
-No. it's not Iike that. It's reaIIy nothing. -CIearIy...
...it is not nothing.
Hey.
You can teII me. I am good Iistener.
Madame Gorski...
...pIease.
I know that Iook.
You think you're aII aIone. and that no one can heIp you.
There is a way to fix anything.
Now...
...teII me what is wrong. chiId.
Okay.
Promise you can keep a secret?
-Yes. BLUE: Yes.
[WOMAN DINGING OPERA ON RADIO]
-Where the heII is she? -I don't know.
We need your music.
You know what. forget it. No. it's too Iate. Dweet Pea was right.
What are you taIking about? The three of us. we can--
I don't think we can do this.
I don't wanna do something stupid that's gonna put you guys in danger.
I'm sorry.
Hey. we got this far. right?
I mean. that's something not a Iot of peopIe couId have done.
How bad can the High RoIIer be. anyway?
Don't you girIs have some work you shouId be doing?
-You came to heIp us. -No.
I came to keep you from getting kiIIed.
Thank you.
We don't have a Iot of time.
If you're done with the pIeasantries. you got a dance to do.
Amber. radio.
What the heII are you doing?
[CARLA AZAR'D ''TOMORROW NEVER KNOWD'' PLAYING ON RADIO]
You're gonna wanna watch this.
Turn off your mind
Relax and float downstream
lt is not dying
Lay down all thought
Surrender to the void
lt is shining
WIDE MAN: Ladies. this is what's on our dance card for tonight.
The bomb. code-named ''Kitchen Knife.'' is on a hijacked train.
It is protected by a coupIe dozen mechanized gunmen.
The idea is simpIe:
Take care of the gunmen. deactivate the bomb. then steaI it.
The code numbers for the bomb and the jetpacks for your escape are in that duffeI.
Got it.
Dweet Pea.
I'm gIad you changed your mind.
[GRUNTD]
WeII. there you have it.
You know. for those who fight for it...
...Iife has a fIavor the sheItered wiII never know.
Oh. yeah. One Iast thing.
The bomb's timer is set to detonate when it reaches the city.
Do if I were you. I'd hurry!
Weapons hot. Iadies.
Hot.
-Hot. -Hot.
AMBER: I've got a Iock.
Good Iuck.
-We're down. AMBER [OVER RADIO]: Copy that.
[GRUNTING]
WOMAN'D VOICE [OVER PA]: Warning:
Weapon will activate in four minutes, 15 seconds.
-Warning: ROCKET: Codes!
Weapon will activate in four minutes, 10 seconds.
Warning: Weapon will activate in four minutes, five seconds.
A deactivation procedure has been initiated.
Deactivation procedure complete.
Weapon deactivated.
Whoa!
BABYDOLL: Hurry. Amber. We gotta get this thing out of here.
AMBER [OVER RADIO]: On my way.
[GRUNTING]
WOMAN'D VOICE: Please refer to the operations manual.
For details on....
Amber. she's good.
AMBER [OVER RADIO]: l'm taking her out.
Guys, it's caught on something.
HoId up. We missed one.
[GRUNTING]
WOMAN'D VOICE: Override procedures complete.
[VOICE DLOWD DOWN] Weapon active.
Proximity warning.
[MUDIC DKIPPING]
[MUDIC DTOPD]
[MUDIC PLAYING]
Amber. the bomb's active.
WOMAN'D VOICE: Warning: Weapon will activate in 45 seconds.
Get free.
AMBER: Whoa!
-Rocket. Iet's go. WOMAN'D VOICE: Warning:
Weapon will activate in 25 seconds.
It's broke. It's not gonna work.
I'm on fuII burn. We'II go together.
It's not gonna carry the both of us.
-We have to try. -Okay. we'II try.
But you've gotta promise me two things.
Rocket. Iet's go.
-The first thing is... -Weapon will activate in 15 seconds.
...don't get mad about this.
About what?
This.
[DCREAMD]
Rocket!
Weapon will activate in 10, nine...
...eight, seven, six...
...five, four...
...three, two, one.
[GROANING]
The second thing is...
...when you get home...
...when you get free...
...you teII Mom I Iove her.
-I'II teII her. -Mom.
I promise.
[DOBBING]
Oh. my.
You. what did you do? You simpIe. inbred idiot.
COOK: Dir. don't know what happened. I just--
I'm sorry. I'm sorry.
Get her up. Get her up. CJ!
[DCREAMING]
Yes. Yeah. Iook.
I want you to Iook at what you did.
Look at what you did. you bitch!
Amber. sweetheart.
You've got Dweet Pea's sIot in tonight's show. Go get ready.
[AMBER DOBBING]
Go get ready.
Go!
Take her to the cIoset.
As for you...
...it's showtime.
[CHATTERING]
GORDKI: The High RoIIer is here. I need you to focus for me.
Ah. Thank you.
BLUE: GirIs?
Can you just gather around for a second? I wanna say a few words.
That's aII right. You can just finish getting her dressed.
Okay. There we go.
BLUE: Very nice.
AII right.
I try to give you aII...
...a good Iife.
I try. I do.
And aII I ask for in return is just for...
...respect...
...honesty.
You know-- Oh. that's okay. Margaret.
A give-and-take reIationship.
But it's come to my attention-- It's come to our attention...
...that a few bad eggs...
...Ied by one IittIe egg in particuIar...
...have spit in the face of that generosity...
...and are pIotting against me.
Me.
Your friend.
Your protector.
Your empIoyer.
[BLONDIE GADPD]
PIotting to take from me my most precious possessions.
GORDKI: BIue. what you doing?
-Hm? -You got the information. You have won.
This IittIe fantasy of freedom is aII they have.
[GORDKI GRUNTD]
BLUE: No. no. no. No one's buying that. honey. No one's buying that. Vera.
There is nothing you can do to--
-Unh. -You Iisten to me. you oId whore.
It's too Iate to pIay the good guy. It's far too Iate.
You're suddenIy not aware of what it is we do here?
I teach them to survive you.
-AII right. -I'm sorry! I didn't mean to say anything.
I'm sorry.
No. BIondie.
I didn't mean to.
He said everything wouId be okay.
GORDKI: BIue. this is a mistake.
PIease don't do this. okay?
That's right. Our dear BIondie came to us...
...desperateIy trying to heIp her sisters off this most dangerous path.
At first. we didn't even beIieve her.
But after hearing who was invoIved. frankIy. it started to make sense.
-Right here? GORDKI: BIue.
Uh-huh. ''Map. Fire.''
Looks Iike that chicken was counted a IittIe before it hatched.
Ain't that right. Amber?
You have anything to say? Anything?
BIue. we didn't-- We were stiII--
You know what. sweetheart?
It's okay.
[GUNDHOT]
No!
-Oh. my God! BLUE: Okay. caIm down.
This wiII aII be over soon and we can get back to business as usuaI.
BIondie. I wanna thank you for everything you've done.
I am so sorry.
The thing is. we hate snitches. so....
[GUNDHOT]
GORDKI: No!
[DOBBING]
[DOBD]
Okay. Here.
I hate guns.
I hope everyone's Iearned a vaIuabIe Iesson here.
EspeciaIIy you. Madame Gorski. Get her out of here.
And the rest of you. you got a show to do. Do go on. go get them. girIs.
Make it count.
I've been thinking a Iot...
...about aII that money you're gonna make me.
And you'd think that wouId give me pIeasure.
I mean. I'm in the business of pIeasure.
But you know what it makes me feeI Iike?
I'm gonna be honest with you. It makes me feeI Iike I'm this IittIe boy...
...sitting in the corner of the sandbox...
...whiIe everybody gets to pIay with my toys...
...but me.
Do you know what I'm gonna do?
I'm gonna take my toys and I'm gonna go home.
Oh. is that it?!
Is that aII you got?!
Come here!
Come on.
Did you Iose your fight? Huh?
No.
I just found it.
[GRUNTING]
You'II never have me.
Ever.
-Dweet Pea. -Where's Amber and BIondie?
It's just us now.
We have to go. Dweet Pea. Come on.
-That's it. -Okay.
[ANNOUNCER DPEAKING INDIDTINCTLY OVER HEADPHONED]
-Now what? -Wait for it.
[ALARM RINGING]
[MOUTHING] Come on.
[LATCH CLICKD]
[GUARDD DPEAKING INDIDTINCTLY]
Damn it.
This can't be.
We did everything right.
A map. fire. a knife. a key. and one thing more.
One thing more.
It's me.
What?
Oh. it's me. Of course it's me.
It's the onIy way this ever couId have ended.
What do you mean?
I'm saying you go home.
Go home to your famiIy.
You teII your mom what Rocket said.
Make her happy.
Go out and Iive a normaI Iife...
...Iove...
...be free.
You have to Iive for aII of us now.
-Baby. no. You can't do that. -Yes. Dweet Pea.
You're the strongest.
You're the onIy one of us that ever had a chance out there.
You going home and Iiving. that's how we win.
It's okay. It's okay. It's better this way.
Now Iisten.
I'm gonna waIk out there...
...and when they come after me. you go. okay?
There's gotta be another way.
No.
This is right.
This was never my story.
It's yours.
Now. don't screw it up. okay?
You stay off the roads and you find a bus station. aII right?
You're gonna be fine.
Where you going. sweetheart?
I said. where you going?
[GRUNTING]
Jesus.
Did--?
Did you see the way she Iooked at me?
Just in that Iast moment. It was Iike....
Doctor?
Is it done?
Dr. Gorski. what do you know about this one?
Uh. there was something very pecuIiar.
Yes. Her mother's death pIunged her into a deep depression.
And then in a fit. she accidentaIIy kiIIed her sister.
Poor chiId.
It's a shame I couIdn't do more for her. I wasn't given much time. you see.
Yes. but you recommended the procedure.
Oh. I'm afraid not.
I wiII admit she has been quite a handfuI.
In just one week here. she stabbed an orderIy. started a fire...
...and heIped another patient to escape.
But I don't agree with this soIution. doctor.
But why wouId you sign for a procedure you don't agree with?
WeII. I--
DOCTOR: That is your signature. is it not?
I've been doing this for quite some time. doctor...
...and to be honest with you. I've wondered myseIf whether or not it's right.
And I have seen some tortured souIs in here. BeIieve me.
But this one....
Domething in her eyes.
I've never seen anyone that....
It's the way she Iooked at me.
It's Iike she wanted me to do it.
I hope it heIps her.
Hi.
You remember me?
Listen. Listen. I got a bad feeIing. okay?
These boys do too.
This is not the way we shouId be running this pIace.
We don't run the pIace. I run it.
In the chair.
MAINTENANCE MAN: Look...
...I'm not....
-I'm not hurting these girIs anymore. -I'm not doing this.
Guys. don't do this to me now. pIease.
I need her in that chair.
Put her in the goddamn chair!
Thank you.
CIose the door. pIease.
What? What is it. you're not here? Huh?
You're not here. you're in paradise? No. no. no. No. no. no.
No. no. no.
You're stiII here.
You're here with me.
In aII this shit.
And you don't go away unIess I say so.
Okay?
That's not right.
You come back to me.
[DOOR OPEND]
-Dtop right there. Move away from the girI. GORDKI: What are you doing?
Aah! Wait. Wait. Wait. wait. wait. Wait. Aah!
What in God's name have you been doing up here?
I wasn't doing anything. Look at her.
Dhe's gone. Look at her face! Dhe's not here.
What do you think I wanna do? I take care of these girIs.
I Iook out for them. These are my girIs. TeII them.
TeII them!
Get him out of here.
-Now. -Aah! Wait. Wait. wait. wait! Wait.
It's not me you want. it's her stepfather.
I'II teII you everything. I'II teII you-- I'II teII you about the money.
COP: Just keep going down the haII.
You aII right. miss?
Miss?
DWEET PEA: And finally, this question:
The mystery of whose story it will be...
...of who draws the curtain.
Who is it that chooses our steps in the dance?
Who drives us mad...
...lashes us with whips...
...and crowns us with victory when we survive the impossible?
Who is it...
...that does all these things?
WOMAN [OVER PA]: Bus 22 southbound to Fort Wayne will now begin loading.
Please have your tickets ready to show the driver.
TROOPER: Excuse me. miss?
Miss. can we have a word?
WIDE MAN: Is there a probIem. gentIemen?
This doesn't concern you. I have questions for the Iady.
WeII. couId you make it snappy? I need to stay on scheduIe.
-We understand. -Do you?
That young woman's been on this bus since Hartford.
I don't see what she couId possibIy know about anything happening around here.
Is that true. miss?
I just Iet her off to use the restroom. Mine's not working.
-AII right. WIDE MAN: Oh. and one more thing.
-Dhe's been a joy the entire journey. -Yes. I said. aII right.
Dorry about the inconvenience. miss. You have yourseIf a nice trip now.
It's no probIem.
-I don't have a ticket. -I know. It's okay.
Go find a seat in the back. Try and get some sIeep.
We got a Iong way to go.
Thank you.
DWEET PEA: Who honors those we love with the very life we live?
Who sends monsters to kill us...
...and at the same time sings that we'll never die?
Who teaches us what's real and how to laugh at lies?
Who decides why we live and what we'll die to defend?
Who chains us?
And who holds the key that can set us free?
lt's you.
You have all the weapons you need.
Now fight.